We’ve all been there, sitting on the couch, watching TV late at night, when all of a sudden… the loudest commercial ever made interrupts to sell us “Bam! Bam! Easy-Off Bam! Spray it on and look at that shine!” You nearly fall off the couch, jumping for the remote to turn it down. The dog starts barking. The telephone rings - it’s the neighbours. Ugh…
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If you’ve ever wondered what crest factor, PSR and PLR mean and what they’re used for, this article is for you. We’ll see how crest factor and PSR are related, how they can be used to measure dynamics and what levels to shoot for.
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With the 2016 Grammy Awards recently being announced, I took a look at the dynamics of the “Song of the Year”: Adele’s “Hello.” The song was mixed by Tom Elmhirst, who also mixed the title track of David Bowie’s Blackstar, which won “Best Engineered Album,” among other awards.
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Having a consistent, calibrated listening environment can help you make consistent mixing and mastering decisions from project to project. But is there an ideal listening level for sound studios? And how do you go about calibrating your monitors?
Let’s see what the EBU recommends for broadcast and then follow that up with some advice from Bob Katz…
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Logic X recently introduced a new feature: 64-bit summing. It’s not the first DAW to support 64-bit summing - Pro Tools HDX had it back in 2013. But how does it work and does it make a difference in practice?
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